A Devoted Yogi

In Wealth, Poverty, and Politics, Thomas Sowell, one of the foremost conservative public intellectuals in this country, argues that political and ideological struggles have led to dangerous confusion about income inequality in America. Pundits and politically motivated economists trumpet ambiguous statistics and sensational theories while ignoring the true determinant of income inequality: the production of wealth. We cannot properly understand inequality if we focus exclusively on the distribution of wealth and ignore wealth production factors such as geography, demography, and culture. Sowell contends that liberals have a particular interest in misreading the data and chastises them for using income inequality as an argument for the welfare state. Refuting Thomas Piketty, Paul Krugman, and others on the left, Sowell draws on accurate empirical data to show that the inequality is not nearly as extreme or sensational as we have been led to believe. Transcending partisanship through a careful examination of data, Wealth, Poverty, and Politics reveals the truth about the most explosive political issue of our time.

USA Today and Wall Street Journal Bestseller! This seminal work of nonfiction recounts the new journalistic mass movement of today. Compiled from over a decade of investigative reporting coupled with a vast reference of philosophical research, American Muckraker is the definitive guide of truth-telling in the video age. ON POWER They do have tremendous power. But in part it is because we give it to them. We are nothing, but we are not alone. Awe cannot live in fear. The moment you stop caring about what the media establishment thinks of you, is the moment you become truly free. ON INSIDERS The USPS whistleblower, a Marine Corp combat veteran said, “I would rather be back in Afghanistan, getting shot at by Afghans, honest to God,” than be interrogated by federal agent Russell Strasser—who coerced him by saying, “I am trying to twist you a little bit because your mind will kick in…. I am not scaring you, but I am scaring you.” ON PRIVACY The right to record is closely tied to the right to speak or even to take contemporaneous notes about what one sees and hears. As 60 Minutes producer Don Hewitt quipped, “People committing malfeasance don’t have any right to privacy…. What are we saying—that Upton Sinclair shouldn’t have smuggled his pencil in?” ON MEANS & ENDS Whereas the novelist Ernest Hemingway said, “What is moral is what you feel good after and what is immoral is what you feel bad after,” Thomas B. Morgan of the 1960s New Journalism contends, “Morally defensible journalism is rarely what you feel good about afterward; it is only that which makes you feel better than you would otherwise.” ON LITIGATION “Polling does not decide the truth nor speak to evidence…. The New York Times have not met their burden to prove that Veritas is deceptive…claiming protections from an upstart competitor armed with a cell phone and a website. There is a substantial basis in law to proceed, to permit Project Veritas, to conduct discovery into The New York Times.” —Project Veritas v. New York Times Company; New York Supreme Court, March 18, 2021

It is estimated that the origins of the “Bhagavad-gita”, a 700 verse Hindu scripture which is part of the larger “Mahabharata” was originally composed as early as the 9th century BC. Ascribed to the Sage Vyasa, the “Bhagavad-gita” is a classic work of Hindu scripture which relates the story of Prince Arjuna who is faced with a decision with serious moral consequence, whether or not to go to war. With the armies arrayed on the battlefield, Arjuna in a moment of hesitation is counseled by Vishnu, the Supreme God, who takes the form of Krishna wearing the disguise of a charioteer. This work along with its larger counterpart the “Mahabharata” has been described as one of the most important works of scripture ever composed. A classic tale of Hindu spirituality, the “Bhagavad-gita” provides great insight into dealing with the morally ambiguous challenges that face us all. This edition is printed on premium acid-free paper has been translated into English prose with an introduction by Kashinath Trimbak Telang.