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Dubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends. For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music. The “industry bible” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business. So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.

National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selection The author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life. Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks. In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself. Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?

A celebration of five decades of country music magic with all the stars and legendary entertainers who brought the beloved Academy of Country Music Awards to life, pubbing in anticipation of the 50th anniversary show. From the first informal awards ceremony at the Hollywood Palladium in 1966 to today’s star-studded show on CBS, generations of country’s biggest superstars have graced the Academy of Country Music Awards stage. Now, for the first time ever, the ACM is opening its archive to reveal candid, never-before-seen photographs and memorabilia capturing some of the greatest moments in the history of country music. Rich with backstage and performance photographs, compelling behind-the-scenes stories, and firsthand accounts from country legends and contemporary artists, This Is Country: A Backstage Pass to the Academy of Country Music Awards offers a rare and intimate glimpse into the history, trends, and evolutions of the genre. With contributions by Reba McEntire, Loretta Lynn, George Strait, Garth Brooks, Alabama’s Randy Owen, Blake Shelton, Luke Bryan, Marty Stuart, and many more, this book is a trove of history and celebrity, and a must-have for fans of country music.

A high-end cocktail book inspired by the hit songs of the Grammy Award-winning Platinum artist—blending 50+ innovative cocktail recipes with funny anecdotes only T-Pain can deliver. The ultimate gift for music lovers and at-home mixologists—featuring glossy jet-black pages, stunning gold details, vibrant photography, and a faux leather cover. In 2007, “rappa ternt sanga” T-Pain released his hit single “Can I Buy U A Drank (Shawty Snappin’),” propelling the artist to mainstream royalty. Since then, the Tallahassee, Florida native has secured his position as one of the most successful and diverse hip-hop artists in the world—and it all started, really, with a song about liquor. Now, T-Pain brings his love of mixology and music to this fun, personal, and hilarious cocktail book. Working with James Beard Award winning mixologist Maxwell Britten, T-Pain sets cocktails to his music. Showcasing a variety of flavors (and potencies), each drink has been carefully curated to reflect a sentiment from one of his hit songs. Can I Remix You a Drink? includes: • 50+ creative cocktail recipes—both classic and new—for parties, local bars, pre-gaming, and quiet nights at home • Hilarious personal anecdotes about T-Pain’s life and lessons while inebriated • Glossy gold and jet-black pages featuring high-end drink photography • Luxurious faux leather cover with gold foil and an embossed monogram of T-Pain himself Considering T-Pain is known for unorthodox mixes in his music, you can expect the same from his drinks, along with some classic cocktails modified by T-Pain himself. Whether you’re a longtime fan or simply a fan of drink-making, Can I Mix You A Drink? is the cocktail book for you.

Rihanna invites you into her world with this stunning visual autobiography "It's a piece of art that I am really proud of..." ―Rihanna From her Barbados childhood to her worldwide tours, from iconic fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Many of these images have never before been published. This large-format book is 504 pages with 1,050 color images on 3 paper stocks and 7 single- and double-page gatefolds, 9 bound-in booklets, 1 tip-in sheet, and a double-sided, removable poster.

Runner-up, Carr P. Collins Award for Best Book of Non-Fiction, 2021 Go-Go’s bassist Kathy Valentine’s story is a roller coaster of sex, drugs, and of course, music; it’s also a story of what it takes to find success and find yourself, even when it all comes crashing down. At twenty-one, Kathy Valentine was at the Whisky in Los Angeles when she met a guitarist from a fledgling band called the Go-Go’s—and the band needed a bassist. The Go-Go’s became the first multi-platinum-selling, all-female band to play instruments themselves, write their own songs, and have a number one album. Their debut, Beauty and the Beat, spent six weeks at the top of the Billboard 200 and featured the hit songs “We Got the Beat” and “Our Lips Are Sealed.” The record's success brought the pressures of a relentless workload and schedule culminating in a wild, hazy, substance-fueled tour that took the band from the club circuit to arenas, where fans, promoters, and crew were more than ready to keep the party going. For Valentine, the band's success was the fulfillment of a lifelong dream—but it’s only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas—where she all but raised herself—to the height of rock n’ roll stardom, devastation after the collapse of the band that had come to define her, and the quest to regain her sense of self after its end. Valentine also speaks candidly about the lasting effects of parental betrayal, abortion, rape, and her struggles with drugs and alcohol—and the music that saved her every step of the way. Populated with vivid portraits of Valentine’s interactions during the 1980s with musicians and actors from the Police and Rod Stewart to John Belushi and Rob Lowe, All I Ever Wanted is a deeply personal reflection on a life spent in music.

The #1 New York Times Bestseller * Named one of Variety's Best Music Books of 2021 * Included in Audible's Best of The Year list * A Business Insider Best Memoirs of 2021 * One of NME's Best Music Books of 2021 So, I've written a book. Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

One of SPIN'S Best Music Memoirs of 2022! Brian Johnson’s memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time. Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early ’70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life. Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange. When the album, Back in Black, was released in July—a mere three months after Johnson had joined the band—it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared “the biggest selling hard rock album ever made” and “the best-selling heavy-metal album in history.” The band toured the world for a full year to support the album, changing the face of rock music—and Brian Johnson’s life—forever.

A memoir by Morris Day of The Time centering around his lifelong relationship and association with Prince. Brilliant composer, smooth soul singer, killer drummer, and charismatic band leader, Morris Day, has been a force in American music for the past four decades. In On Time, the renowned funkster looks back on a life of turbulence and triumph. He chronicles his creative process with an explosive prose that mirrors his intoxicating music. Morris' story is a fast-paced page-turner replete with unexpected twists and shocking surprises. A major and fascinating theme is his lifelong friendship and years of musical partnership with Prince, from their early days on the Minneapolis scene to selling out stadiums and duking it out as rivals in Purple Rain. Eventually, Morris went on to release four albums with a new band of his very own, the legendary Time. He battled his addictions and came out victorious. But not before increasing tensions and embittered rivalry between Prince and the Revolution and Morris Day and the Time led the two performers towards separate paths. Through the years, the fierce brotherly love between Morris and Prince kept bringing them back together, over and over again -- until pride, ego, and circumstance interfered. Two months before Prince's untimely death, the two finally reconnected and started to make amends. But Morris could've never imagined it would be the last time he'd ever see his friend again. This is Morris Day's singular story in which the magic of music is the ultimate healer. On Time is also a deep meditation on friendship, Morris' poetic method of reconciling the loss of his close friend and longtime collaborator, and a way to commemorate an incendiary life cut short. But this book is more than just a walk down memory lane -- it's a metaphorical means to bring Prince back to life. Throughout the narrative, Morris allows Prince's "voice" to protect his own legacy, to counter Morris's interpretations of events, and to essentially breathe new life into a tale as old as time -- of two brothers, two bands, and a musical culture that even today pulsates with fresh energy.

Ed Piskor’s Hip Hop Family Tree has been a global phenomenon and perennial bestseller since the first (of four) volumes was published in 2013, spawning multiple printings, fourteen comic books, and the author’s wildly popular YouTube comics channel, Cartoonist Kayfabe (with fellow cartoonist Jim Rugg). Yet the series has never been collected under one cover. Until now. This omnibus collection includes the original 360-page series with over 140 pages of extra material: a cover gallery of every HHFT book and comic book cover and back cover Piskor ever created, pages from the HHFT comic book series that have never been collected, new annotations of the entire series by Piskor, and much more. Hip Hop Family Tree is the entertaining, encyclopedic history of the formative years of the music genre that changed global culture. Piskor’s cartooning crackles like Kirby and takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late 1970s New York City in panels bursting with obsessively authentic detail. With a vigorous and engaging Ken Burns-meets-Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted. Like the acclaimed hip hop documentaries Style Wars and Scratch, Hip Hop Family Tree is an essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.