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Recommended by Entertainment Today

Tow has paired contemporary observations with direct recollections from over ninety musicians who helped foment the scene. Tow does an admirable job pulling apart the many threads that created a musical renaissance the likes of which have not been heard before or since . . . Tow has assembled a great blend of then-contemporary observations with latter day perspectives from those who were there in this delightful and edifying book. (from Amazon)

It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)

Recommended by Entertainment Today

Revelatory. . . . A dynamo of a book. . . . [Winslow] brings an intense realism to a pounding account of narco-trafficking across our southern border. . . . He fuels his narrative with conviction and rocket-engine pacing . . . [and] a splendidly realized cast of characters on both sides of the law. . . . If you like an adventure into the sacred or the untouchable, take this ride. (from Amazon)

The Power of the Dog book cover

by Don Winslow·You?

From Don Winslow (“A writer so good you almost want to keep him to yourself”—Ian Rankin), an electrifying new novel of love and revenge, politics and influence, corruption and honor. Moving at breakneck speed, it tells a riveting, sometimes harrowing story set in the shifting nexus of power among the Latin American drug cartels, the American mob, and the U.S. government. Spanning the years from the rise of the Mexican drug Federación in the 1970s to the Iran-Contra affair in the 1980s to the vicious drug wars of the 1990s, the action ranges from Manhattan’s Hell’s Kitchen and the halls of Washington to the streets of Tijuana and the deserts of the American Southwest. The players: a DEA agent, a drug lord, a call girl, a hit man, a priest. Caught up in the war on drugs, willingly or not, each is trying to escape the sins of the past while negotiating the treacherous currents of the present. Their seemingly disparate lives—taking shape on one side of the law or the other, or straddling both—slowly converge as they struggle to overcome, in any way possible, the “power of the dog.” From the jungles of Latin America to the vicious netherworld of the California–Mexico border, this is the war on drugs you haven’t seen—its devastations and deliriums, its alliances and betrayals, its pawns and kings. A masterpiece of epic storytelling, The Power of the Dog is Don Winslow at the very top of his form.