Gérard Araud

Winner of the 2016 Baillie Gifford Prize for Nonfiction Winner of the 2017 Jewish Quarterly-Wingate Prize “A monumental achievement…a profoundly personal account of the origins of crimes against humanity and genocide, told with love, anger and precision.”  –John le Carré “A narrative, to my knowledge unprecedented. [It] should not be ignored by anyone in the United States or elsewhere.”   —Bernard-Henri Levy on the front cover of The New York Times Book Review “Exceptional…has the intrigue, verve and material density of a first-rate thriller.”  —The Guardian “Astonishing…An outstanding book…A story of heroes and loss.”  —The New Statesman A profound and profoundly important book—a moving personal detective story, an uncovering of secret pasts, and a book that explores the creation and development of world-changing legal concepts that came about as a result of the unprecedented atrocities of Hitler’s Third Reich. East West Street looks at the personal and intellectual evolution of the two men who simultaneously originated the ideas of “genocide” and “crimes against humanity,” both of whom, not knowing the other, studied at the same university with the same professors, in a city little known today that was a major cultural center of Europe, “the little Paris of Ukraine,” a city variously called Lemberg, Lwów, Lvov, or Lviv. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

The Habsburg Empire’s grand strategy for outmaneuvering and outlasting stronger rivals in a complicated geopolitical world The Empire of Habsburg Austria faced more enemies than any other European great power. Flanked on four sides by rivals, it possessed few of the advantages that explain successful empires. Its army was not renowned for offensive prowess, its finances were often shaky, and its populace was fragmented into more than a dozen ethnicities. Yet somehow Austria endured, outlasting Ottoman sieges, Frederick the Great, and Napoleon. The Grand Strategy of the Habsburg Empire tells the story of how this cash-strapped, polyglot empire survived for centuries in Europe's most dangerous neighborhood without succumbing to the pressures of multisided warfare. Taking readers from the War of the Spanish Succession in the early 1700s to the Austro-Prussian War of 1866, A. Wess Mitchell argues that the Habsburgs succeeded not through offensive military power or great wealth but by developing strategies that manipulated the element of time in geopolitical competition. Unable to fight all their enemies at once, the Habsburgs learned to use the limited tools at their disposal―terrain, technology, and treaty allies―to sequence and stagger their conflicts, drive down the costs of empire, and concentrate scarce resources against the greatest threat of the moment. Rarely holding a grudge after war, they played the "long game" in geopolitics, corralling friend and foe alike into voluntarily managing the empire's lengthy frontiers and extending a benign hegemony across the turbulent lands of middle Europe. A study in adaptive statecraft, The Grand Strategy of the Habsburg Empire offers lessons on how to navigate a messy geopolitical map, stand firm without the advantage of military predominance, and prevail against multiple rivals.

WINNER PRIX FEMINA AND PRIX DU ROMAN NEWS A 2019 BEST BOOK OF THE YEAR (Evening Standard・New Statesman ・Lit Hub) Paris, January 7, 2015. Two terrorists who claim allegiance to ISIS attack the satirical weekly Charlie Hebdo. The event causes untold pain to the victims and their families, prompts a global solidarity movement, and ignites a fierce debate over press freedoms and the role of satire today. Philippe Lançon, a journalist, author, and a weekly contributor to Charlie Hebdo is gravely wounded in the attack. This intense life experience upends his relationship to the world, to writing, to reading, to love and to friendship. As he attempts to reconstruct his life on the page, Lançon rereads Proust, Thomas Mann, Kafka, and others in search of guidance. It is a year before he can return to writing, a year in which he learns to work through his experiences and their aftermath. Disturbance is not an essay on terrorism nor is it a witness’s account of Charlie Hebdo. The attack and what followed are part of Lançon’s narrative, which, instead, touches upon the universal. It is an honest, intimate account of a man seeking to put his life back together after it has been torn apart. Disturbance is a book about survival, resilience, and reconstruction, about transformation, about one man’s shifting relationship to time, to writing and journalism, to truth, and to his own body.