Jennifer Lawrence

The #1 New York Times bestseller from “the queen of royal fiction” (USA TODAY) Philippa Gregory is a rich, compelling novel of love, sex, ambition, and intrigue surrounding the Tudor court of Henry VIII, Anne Boleyn, and the infamous Boleyn family. When Mary Boleyn comes to court as an innocent girl of fourteen, she catches the eye of the handsome and charming Henry VIII. Dazzled by the king, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realizes just how much she is a pawn in her family’s ambitious plots as the king’s interest begins to wane, and soon she is forced to step aside for her best friend and rival: her sister, Anne. With her own destiny suddenly unknown, Mary realizes that she must defy her family and take fate into her own hands. With more than one million copies in print and adapted for the big screen, The Other Boleyn Girl is a riveting historical drama. It brings to light a woman of extraordinary determination and desire who lived at the heart of the most exciting and glamorous court in Europe, and survived a treacherous political landscape by following her heart.

The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.

Anyone who has read J.D. Salinger's New Yorker stories--particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme With Love and Squalor--will not be surprised by the fact that his first novel is full of children. The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.

The irreverent journalist-author's long-lost novel, written before his nonfiction became popular, chronicles a journalist's enthusiastic, drunken foray though 1950s San Juan, in a work that offers glimpses of the literary talent that would emerge from the chaos. 150,000 first printing. Tour.

The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" (New York Times). These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger's fictional Glass family--as recalled by his closest brother, Buddy. "He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..."

In Anna Karenina Tolstoy gave the world one of the best loved heroines of literature. Her charm dominates the novel, but there is also a feeling of ultimate doom always approaching. Anna, despite and because of her actions, is a sympathetic character. Although desperate to escape from her stifling marriage, she is uncertain and vulnerable. She eventually does escape, but the outcome is not as desirable as she wished, and ends in tragedy.The novel also follows in parallel the story of Levin, a country landowner, who desires to marry Kitty, a relative of Anna’s. In Levin’s story there is more hope, but his life too is a difficult one, with the problems he faces in his marriage and his struggle, mirroring Tolstoy’s own, to bring social justice to his serfs.Anna Karenina addresses the very nature of society at many levels, but is also a novel that explores the thoughts and interactions of indivduals. Tolstoy uses his powerful descriptive style and his technique of getting completely inside the heads of his major characters to pick out the contradictions and complexities of existence. His method borders on the stream-of-consciousness that would be used by modernist writers such as James Joyce, Virgina Woolf and William Faulkner.Together with War and Peace, Anna Karenina is justifiably regarded as one of the greatest novels ever written.This edition features:IntroductionBiography of TolstoyList of Main CharactersBibliography