Jennifer Tilly

Quinn’s illusions are as good as those in any Vegas act—but can he win a spot at a prestigious magic camp despite an upstaging partner, a cute rival, and a con-artist mentor? Fifteen-year-old Quinn Purcell wants only one thing: to win a coveted spot at the Masters of Magic Fantasy Camp. But the competition is stiff, including Dani Darling, an incredibly talented, and incredibly attractive, rival magician who prestidigitates her way into Quinn’s heart—unless that’s just another of her tricks. To make matters worse, Quinn and his best friend, Perry, have always performed their magic as a team, but the judges want solo acts, and a two-man audition might disqualify them. When Quinn meets his idol, the Dazzling Lazlo, at a diner, it seems like a sign. If he can convince Lazlo to spill the secrets to his greatest trick, then the spot at the camp is all but Quinn’s. But is the washed-up magician just using Quinn to run a few scams? When the chips are down, what will Quinn risk—his best friend, his new crush, or his career as a magician? Hilarious and fast-paced, Don Calame’s latest novel is full of complicated magic tricks and equally complicated friendships.

“You'll stay up long past your bedtime to finish this fast-paced thrill ride where a couple runs up against the dark side of human nature and an enemy who will stop at nothing to get what he wants.”—#1 New York Times bestselling author Christine Feehan A brave woman on the run from her vindictive husband faces a dangerous path in the thrilling new romantic suspense novel from Oscar-nominated actress Meg Tilly. Sarah Rainsford has been on the run for more than three years. She's changed identities yet again in hopes of throwing her violent estranged husband, a police lieutenant, off her trail. Since she's still legally married to him, and he is willing to bend any laws to get his hands on her inheritance, he'll stop at nothing to locate her. With a new name and fake ID papers, she lands a job as a personal assistant to none other than Hollywood's golden boy director Mick Talford. He's a difficult client but she senses hidden depths to him. Once Mick and Sarah combine forces in a desperate attempt to keep Sarah out of harm's way, they build a strong bond . . . but with danger trailing them, is it enough to keep them both alive?

"Brilliantly upsetting and endearing . . . riveting."—Newsday This poetic epic about a scientist, his wife, and his two mistresses as they fend for their lives in a world savagely close to extinction raises issues of redemption, forgiveness, and responsibility. Grasses of a Thousand Colors is a troubling, erotic adventure that received high critical praise for its first New York City revival in 2013, starring Wallace Shawn. Wallace Shawn is a noted actor and writer. His often politically charged and controversial plays include The Fever, Aunt Dan and Lemon, Marie and Bruce, and The Designated Mourner. With Andre´ Gregory, he co-wrote My Dinner with Andre´, in which he also starred.

The autobiography-of-sorts of André Gregory, an iconic figure in American theater and the star of My Dinner with André This is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This is Not My Memoir includes fantastic and fantastical stories that take the reader from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India. Along the way we meet Jerzy Grotowski, Helene Weigel, Gregory Peck, Gurumayi Chidvilasananda, Wallace Shawn, and many other larger-than-life personalities. This is Not My Memoir is a collaboration between Gregory and Todd London who create a portrait of an artist confronting his later years. Here, too, are the reflections of a man who only recently learned how to love. What does it mean to create art in a world that often places little value on the process of creating it? And what does it mean to confront the process of aging when your greatest work of art may well be your own life?