Paul Theroux

For thirty years starting in the mid-1970s, the byline of Jim Dooley appeared on riveting investigative stories of organized crime and political corruption that headlined the front page of Honolulu’s morning daily. In Sunny Skies, Shady Characters, James Dooley revisits highlights of his career as a hard-hitting investigative reporter for the Honolulu Advertiser and, in later years, for KITV television and the online Hawaii Reporter. His lively backstories on how he chased these high-profile scandals make fascinating reading, while providing an insider’s look at the business of journalism and the craft of investigative reporting. Dooley’s first assignment as an investigative journalist involved the city housing project of Kukui Plaza, which introduced him to the “pay to play” method of awarding government contracts to obliging consultants. In later stories, he scrutinized bloody struggles over illicit gambling revenue, the murder of a city prosecutor’s son, local syndicate ties to the Teamsters Union, and the dealings of Bishop Estate. His groundbreaking coverage of the forays by yakuza into Hawaii and the continental United States were the first of its kind in American journalism. As Dooley pursued stories from the underside of island society, names of respected public figures and those of violent criminals filled his notebook: entertainer Don Ho, U.S. Senator Daniel Inouye, Governors George Ariyoshi and Ben Cayetano, Mayor Frank Fasi, and notorious felons Henry Huihui, Nappy Pulawa, and Ronnie Ching. Woven throughout is the name of Big Island rancher Larry Mehau―was he the “godfather of organized crime” in Hawaii as alleged by the FBI, or simply an ex-cop who befriended power brokers in the course of doing business for his security guard firm? The book includes a timeline of Mehau’s activities to allow readers to judge for themselves.

At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.