Robert Macfarlane

It is in the midst of a swirling river, casting a line, that Mark Wormald meets Ted Hughes. He stands where the poet stood, forty years ago, because fishing was Ted Hughes's way of breathing - and because the poet's writing has made Mark understand that it has always been his way of breathing, too. Using Hughes's poetry collection River and his fishing diaries as a guide, Mark returns again and again to the rivers and lakes in Britain and Ireland where the poet fished. At times, he uses Ted's fly patterns; at others his rods. It is an obsession; a fundamental connection to nature; a thrilling wildness; an elemental pursuit. But it is also a release and a consolation, as Mark fishes after the sudden death of his mother and during the slow fading of his father. A brilliant blend of memoir and biography, The Catch is a stunning meditation on poetry and nature, and a quiet reflection on what it means to be a father and a son.

Mountaineering in Scotland and Undiscovered Scotland are two of the most popular British climbing books. This is an omnibus edition of the two books, published a ye ar after Murray''s death. '

Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the “essential nature” of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

One of The Guardian's Best Books of 2018A Lit Hub Favorite Book of 2018An EcoLit Books Best Environmental Book of 2018 "The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature," wrote Alexis de Tocqueville in 1835. That's largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent's natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There's much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that's been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California's sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent--drawing crucial early links between the environment and social justice, links we're still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past--and of understanding what it can offer us for the present . . . and the future.

A New York Times Bestseller A Washington Post Bestseller A Los Angeles Times Bestseller Named a "Best Essay Collection of the Decade" by Literary Hub A Book Riot "Favorite Summer Read of 2020" A Food Tank Fall 2020 Reading Recommendation Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants. As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

WINNER OF THE WAINWRIGHT PRIZE FOR WRITING ON GLOBAL CONSERVATION Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize ‘splendid’ ―Guardian ‘visionary’ ―New Statesman Rebirding takes the long view of Britain’s wildlife decline, from the early taming of our landscape and its long-lost elephants and rhinos, to fenland drainage, the removal of cornerstone species such as wild cattle, horses, beavers and boar – and forward in time to the intensification of our modern landscapes and the collapse of invertebrate populations. It looks at key reasons why species are vanishing, as our landscapes become ever more tamed and less diverse, with wildlife trapped in tiny pockets of habitat. It explores how Britain has, uniquely, relied on modifying farmland, rather than restoring ecosystems, in a failing attempt to halt wildlife decline. The irony is that 94% of Britain is not built upon at all. And with more nature-loving voices than any European country, we should in fact have the best, not the most impoverished, wildlife on our continent. Especially when the rural economics of our game estates, and upland farms, are among the worst in Europe. Britain is blessed with all the space it needs for an epic wildlife recovery. The deer estates of the Scottish Highlands are twice the size of Yellowstone National Park. Snowdonia is larger than the Maasai Mara. The problem in Britain is not a lack of space. It is that our precious space is uniquely wasted – not only for wildlife, but for people’s jobs and rural futures too. Rebirding maps out how we might finally turn things around: rewilding our national parks, restoring natural ecosystems and allowing our wildlife a far richer future. In doing so, an entirely new sector of rural jobs would be created; finally bringing Britain’s dying rural landscapes and failing economies back to life.

Alone on a remote mountaintop one dark night, a woman hears a mysterious voice. Propelled by the memory and after years of dreaming about it, Jini Reddy dares to delve into the 'wanderlands' of Britain, heading off in search of the magical in the landscape. A London journalist with multicultural roots and a perennial outsider, she determinedly sets off on this unorthodox path. Serendipity and her inner compass guide her around the country in pursuit of the Other and a connection to Britain's captivating natural world. Where might this lead? And if you know what it is to be Othered yourself, how might this colour your experiences? And what if, in invoking the spirit of the land, 'it' decides to make its presence felt? Whether following a 'cult' map to a hidden well that refuses to reveal itself, attempting to persuade a labyrinth to spill its secrets, embarking on a coast-to-coast pilgrimage or searching for a mystical land temple, Jini depicts a whimsical, natural Britain. Along the way, she tracks down ephemeral wild art, encounters women who worship The Goddess, falls deeper in love with her birth land and struggles – but mostly fails – to get to grips with its lore. Throughout, she rejoices in the wildness we cannot see and celebrates the natural beauty we can, while offering glimpses of her Canadian childhood and her Indian parents' struggles in apartheid-era South Africa. Wanderland is a book in which the heart leads, all things are possible and the Other, both wild and human, comes in from the cold. It is a paean to the joy of roaming, both figuratively and imaginatively, and to the joy of finding your place in the world.

Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.

Align Your Creative Energy with Nature’s “Everything we know about creating,” writes Tina Welling, “we know intuitively from the natural world.” In Writing Wild, Welling details a three-step “Spirit Walk” process for inviting nature to enliven and inspire our creativity.

Here, published for the first time in the United States, is the last book by Roger Deakin, famed British nature writer and icon of the environmentalist movement. In Deakin's glorious meditation on wood, the "fifth element" -- as it exists in nature, in our culture, and in our souls -- the reader accompanies Deakin through the woods of Britain, Europe, Kazakhstan, and Australia in search of what lies behind man's profound and enduring connection with trees.Deakin lives in forest shacks, goes "coppicing" in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bushplums with Aboriginal women in the outback. Along the way, he ferrets out the mysteries of woods, detailing the life stories of the timber beams composing his Elizabethan house and searching for the origin of the apple. As the world's forests are whittled away, Deakin's sparkling prose evokes woodlands anarchic with life, rendering each tree as an individual, living being. At once a traveler's tale and a splendid work of natural history, Wildwood reveals, amid the world's marvelous diversity, that which is universal in human experience.

Between the sea and the plains of Bengal, on the easternmost coast of India, lies an immense archipelago of islands. Some are vast and some no larger than sandbars; some have lasted through recorded history while others have just washed into being. These are the Sundarbans. Here there are no borders to divide fresh water from salt, river from sea, even land from water. The settlers of the Sundarbans believe that anyone without a pure heart who ventures into the watery labyrinth will never return. Survival is an everyday battle for these people who have managed to strike a delicate balance with nature. But the arrival of Piyali Roy, of Indian parentage but stubbornly American, and of Kanai Dutt, a sophisticated Delhi businessman, threatens to upset this balance. Kanai has returned to the islands on the request of his aunt, a local figure, for the first time since the death of his uncle, a political radical who died mysteriously in the aftermath of a local uprising. When Piya, who is on the track of the rare river dolphins, hires Fokir, an illiterate but proud local man to guide her through the backwaters, Kanai becomes her translator. From this moment, the tide begins to turn. Amitav Ghosh has discovered another new territory, summoning a singular, fascinating place, another world, from its history and myth, and bringing it to life. Yet The Hungry Tide also explores another and far more unknowable jungle: the human spirit. It is a novel that asks at every turn: what man can take the true measure of another

Can forests think? Do dogs dream? In this astonishing book, Eduardo Kohn challenges the very foundations of anthropology, calling into question our central assumptions about what it means to be human―and thus distinct from all other life forms. Based on four years of fieldwork among the Runa of Ecuador’s Upper Amazon, Eduardo Kohn draws on his rich ethnography to explore how Amazonians interact with the many creatures that inhabit one of the world’s most complex ecosystems. Whether or not we recognize it, our anthropological tools hinge on those capacities that make us distinctly human. However, when we turn our ethnographic attention to how we relate to other kinds of beings, these tools (which have the effect of divorcing us from the rest of the world) break down. How Forests Think seizes on this breakdown as an opportunity. Avoiding reductionistic solutions, and without losing sight of how our lives and those of others are caught up in the moral webs we humans spin, this book skillfully fashions new kinds of conceptual tools from the strange and unexpected properties of the living world itself. In this groundbreaking work, Kohn takes anthropology in a new and exciting direction–one that offers a more capacious way to think about the world we share with other kinds of beings.

After the battle, Crow and his recruits are sent to stand guard as the legion builds a new road leading north from London across the now completely depopulated lands of the Iceni. General Paulinus, whose troops fought and destroyed the Britons, is obsessed with finding Boudicca, alive or dead, and swears to take her head as a trophy. On the way to the land of the Iceni, Crow befriends a survivor of the Roman retribution. The woman, starved nearly to death, hides from the Romans. Crow feeds and cares for this survivor, whom he calls Ceres. She follows him into the Iceni land and then disappears when the Roman troops arrive to build a fort. Crow's squad is made up of tributes to Rome. One member of the squad, Dionysus, wants more than to ride with the Roman army. He spends his time making friends with Roman troops and finding ways to trade his way up from the cavalry. Dionysus's chance comes when he meets General Paulinus and impresses Paulinus with a gift--a statue of Paulinus's enemy, Boudicca. Paulinus, in gratitude, promises Dionysus to help him get closer to the powerful people of this Roman colony. Dionysus finds himself assigned to light duty for the higher-ups in the headquarters near London. In comparison, the rest of the squad are run almost to death. Crow realizes that his sympathies lie with the islanders, not the Romans, and leaves the army in search of Ceres. As his squad goes separate ways and learns to become soldiers, Crow seeks the woman he has helped in her home in a foreign land, giving up his career, his freedom, and, perhaps, his life.

the road north is a word-map of Scotland, composed by Alec Finlay & Ken Cockburn as they travel through their homeland, guided by the Japanese poet Basho, whose Osu-no-Hosomichi (Narrow Road to the Deep North) is one of the masterpieces of travel literature. Ken and Alec left Edo (Edinburgh) on May 16, 2010 - the very same date that Basho and his companion Sora departed in 1689 - and on their return, on May 16, 2011, they published 53 collaborative audio & visual poems describing the landscapes they had seen and the people they had met.

I have learned many words for 'island': isle, atoll, eyot, islet, or skerry. They exist in archipelagos or alone, and always, by definition, I have understood them by their relation to water. But the Chinese word for island knows nothing of water. For a civilisation grown inland from the sea, the vastness of mountains was a better analogue: (dao, 'island') built from the relationship between earth and sky.Between tectonic plates and conflicting cultures, Taiwan is an island of extremes: high mountains, exposed flatlands, thick forests. After unearthing a hidden memoir of her grandfather's life, written on the cusp of his total memory loss, Jessica J Lee hunts his story, in parallel with exploring Taiwan, hoping to understand the quakes that brought her family from China, to Taiwan and Canada, and the ways in which our human stories are interlaced with geographical forces. Part-nature writing, part-biography, Two Trees Make a Forest traces the natural and human stories that shaped an island and a family.

“[A] winningly obsessive history of our relationship with underground places” (The Guardian), from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feet NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR When Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to sacred caves, catacombs, tombs, bunkers, and ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted us through the ages. In a narrative spanning continents and epochs, Hunt follows a cast of subterraneaphiles who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old mine in the Australian outback, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees. Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs and guided how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see. Praise for Underground “A mesmerizingly fascinating tale . . . I could not stop reading this beautifully written book.”—Michael Finkel, author of The Stranger in the Woods “Few books have blown my mind so totally, and so often. In Will Hunt’s nimble hands, excursion becomes inversion, and the darkness turns luminous. There are echoes of Sebald, Calvino, and Herzog in his elegant and enigmatic voice, but also real warmth and humor. . . . An intrepid—but far from fearless—journey, both theoretically and terrestrially.”—Robert Moor, New York Times bestselling author of On Trails

Longlisted for the National Book Award for Nonfiction and A New York Times Notable Book of 2018 Nonpareil science writer David Quammen explains how recent discoveries in molecular biology can change our understanding of evolution and life’s history, with powerful implications for human health and even our own human nature. In the mid-1970s, scientists began using DNA sequences to reexamine the history of all life. Perhaps the most startling discovery to come out of this new field—the study of life’s diversity and relatedness at the molecular level—is horizontal gene transfer (HGT), or the movement of genes across species lines. It turns out that HGT has been widespread and important. For instance, we now know that roughly eight percent of the human genome arrived not through traditional inheritance from directly ancestral forms, but sideways by viral infection—a type of HGT. In The Tangled Tree David Quammen, “one of that rare breed of science journalists who blends exploration with a talent for synthesis and storytelling” (Nature), chronicles these discoveries through the lives of the researchers who made them—such as Carl Woese, the most important little-known biologist of the twentieth century; Lynn Margulis, the notorious maverick whose wild ideas about “mosaic” creatures proved to be true; and Tsutomu Wantanabe, who discovered that the scourge of antibiotic-resistant bacteria is a direct result of horizontal gene transfer, bringing the deep study of genome histories to bear on a global crisis in public health. “Quammen is no ordinary writer. He is simply astonishing, one of that rare class of writer gifted with verve, ingenuity, humor, guts, and great heart” (Elle). Now, in The Tangled Tree, he explains how molecular studies of evolution have brought startling recognitions about the tangled tree of life—including where we humans fit upon it. Thanks to new technologies such as CRISPR, we now have the ability to alter even our genetic composition—through sideways insertions, as nature has long been doing. The Tangled Tree is a brilliant guide to our transformed understanding of evolution, of life’s history, and of our own human nature.

This volume explores why natural places such as caves, mountains, springs and rivers assumed a sacred character in European prehistory, and how the evidence for this can be analysed in the field. It shows how established research on votive deposits, rock art and production sites can contribute to a more imaginative approach to the prehistoric landscape, and can even shed light on the origins of monumental architecture. The discussion is illustrated through a wide range of European examples, and three extended case studies. An Archaeology of Natural Places extends the range of landscape studies and makes the results of modern research accessible to a wider audience, including students and academics, field archaeologists, and those working in heritage management.

The author of The More Beautiful World Our Hearts Know Is Possible explores the history and potential future of civilization, tracing the converging crises of our age to the illusion of the separate self Our disconnection from one another and the natural world has mislaid the foundations of science, religion, money, technology, economics, medicine, and education as we know them. It has fired our near-pathological pursuit of technological Utopias even as we push ourselves and our planet to the brink of collapse. Fortunately, an Age of Reunion is emerging out of the birth pangs of an earth in crisis. Our journey of separation hasn't been a terrible mistake but an evolutionary process and an adventure in self-discovery. Even in our darkest hour, Eisenstein sees the possibility of a more beautiful world—not through the extension of millennia-old methods of management and control but by fundamentally reimagining ourselves and our systems. We must shift away from our Babelian efforts to build ever-higher towers to heaven and instead turn out attention to creating a new kind of civilization—one designed for beauty rather than height.

NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems. “Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of An Immense World ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday When we think of fungi, we likely think of mushrooms. But mushrooms are only fruiting bodies, analogous to apples on a tree. Most fungi live out of sight, yet make up a massively diverse kingdom of organisms that supports and sustains nearly all living systems. Fungi provide a key to understanding the planet on which we live, and the ways we think, feel, and behave. In the first edition of this mind-bending book, Sheldrake introduced us to this mysterious but massively diverse kingdom of life. This exquisitely designed volume, abridged from the original, features more than one hundred full-color images that bring the spectacular variety, strangeness, and beauty of fungi to life as never before. Fungi throw our concepts of individuality and even intelligence into question. They are metabolic masters, earth makers, and key players in most of life’s processes. They can change our minds, heal our bodies, and even help us remediate environmental disaster. By examining fungi on their own terms, Sheldrake reveals how these extraordinary organisms—and our relationships with them—are changing our understanding of how life works. Winner of the Wainwright Prize, the Royal Society Science Book Prize, and the Guild of Food Writers Award • Shortlisted for the British Book Award • Longlisted for the Rathbones Folio Prize